Archive for March, 2009


Mar 16,2009

Taylor Kitsch in Men’s Health March 09

Posted by Kaitlin with No Comments

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10 Questions for Taylor Kitsch The star of Friday Night Lights tells us what to watch for when the show returns tonight. Plus: His favorite new abs exercise Interviewed by: Scott Quill

Taylor Kitsch returns to the small screen tonight in NBC’s football drama Friday Night Lights (9/8c).

During his breakout season as the volatile fullback Tim Riggins, Kitsch appeared on the cover of Men’s Health in January, showing how to eat your way to a six-pack.

Last month, Kitsch participated in the Nautica Malibu Triathlon (which Men’s Health co-sponsors) benefiting Children’s Hospital Los Angeles, but not to show off his rippling stomach. The MH Guy was there to support fitness activities for kids.

In this exclusive interview for MensHealth.com, Kitsch spoke about childhood obesity and our new initiative Men’s Health FitSchools. His advice can help you sculpt a leaner midsection and help your kids shape up, too.

MH: What can we expect from the premiere of FNL?

TK: Some really intense stuff happens in the first episode with Landry (Jesse Plemons) and Tyra (Adriane Pilicki). It’s going to shape their characters for the rest of the season. I’m excited to see it myself.

MH: How about the rest of the season?

TK: Episode 2 might be more intense than the first. Tim Riggins (Taylor’s character) is even more lost this year. He goes to Mexico with Jason Street (Scott Porter) and he lets loose. Last year, Riggins was very dark, but there’s better balance this year. At times, he’s a comedic relief, but there’s also a serious matter with his best friend who has an idea to go for stem cell surgery, which he thinks will probably make him walk the next week. His friend has tunnel vision, so he’s trying to figure out how to get through to him.

MH: Is the mood as intense on set as it is in the show?

TK: We have a lot of fun when we shoot football scenes. Kyle Chandler (who plays Coach Taylor) and I chuck the ball around. Just yesterday I was thinking, ‘Man, I’m getting paid to throw the ball around and run routes.’ I just laughed. It’s really fun.

MH: Growing up, did you have a coach like Coach Taylor?

TK: I played junior hockey and I got traded to the worst team in the league. I didn’t want to go over there, but it was truly a blessing in disguise because my coach was an amazing man. He was really personable and very nonjudgmental. That’s what Coach Taylor is like on our show. He listens to you and gives you his best advice. You don’t feel like you’re being judged when you talk to him, and I think that’s so commendable for any coach or teacher.

MH: You’ve been doing commendable work yourself. Tell us about your charity work for children.

TK: I went into the Children’s Hospital in L.A. a little over a year ago and it changed me. Ever since then I’ve been working with the hospital whenever I can. The Nautica Malibu Triathlon this year was great, just being around the kids and fitness. The kids had a little race and I handed out medals to them. So they’re super excited already and then when they come to the finish line and see the medal, they just freeze. Just seeing their faces and talking to them, you get their sense of energy and life. It’s a great feeling. I think I get more out of it than they do.

To Read the rest of the article check out the SOURCE: MensHealth.com



Mar 13,2009

3.09 Game of the Week Recap

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Tim comes home from New York to find his truck smashed against a tree in the front yard. He walks into the house raging at Billy to get his truck fixed no matter the cost. But before he can go on very long, a miserable, hung-over Billy — wearing nothing but underwear and surrounded by a ruined mess of a house — shuts Tim up by telling him that Mindy left him and the wedding is off.

It’s breakfast time in the Taylor household. Coach is playing with Gracie Bell on the floor, while Julie eats cereal at the counter. Tami walks in for breakfast, and Coach says that Gracie Bell has informed him that someone’s birthday is coming up — namely Tami’s. Tami insists that she doesn’t want a birthday this year — she’s feeling old — and that the best present would be to ignore it. Coach mulls this over.

Coach gives the Panthers a pre-playoff pep talk before their morning practice. During practice, Coach — against his earlier instructions — tells Wade to stop taking it easy on Matt Saracen. If Matt wants to be a receiver he needs to take the hits. Suddenly, Buddy and the Mayor run in with great news: this week’s playoff game for the Panthers has been picked high school Game of the Week and will air on national TV!

Principal Taylor announces over the intercom that this week’s game is going to be Game of the Week and will therefore be nationally televised. The Principal talks about how good this is for the school, and voices her hope that the students will “make us proud.” The students go wild, yelling, pumping fists, while a group of players with giant letters spelling P-A-N-T-H-E-R-S painted in blue paint across their chests pull off their shirts in front of a cameraman.

At the rodeo, Cash is excited to find out he’ll be competing for real money. He leaves Tyra with Brooke, a salesgirl who sets up Tyra up with a cowboy hat and boots. Tyra sees Cash at a distance talking angrily with a man surrounded by a group of thuggish cronies. She overhears Cash telling the man that he’ll get his money back, but the man continues to shout under his breath and jab his finger at Cash.

Julie and Landry are in the lunchroom when two members of the student council approach Landry to ask him where Tyra is. Landry says he doesn’t know but they keep pressing him, saying that Tyra’s been blowing off school council and it’s urgent that they pick a theme for winter formal. After they leave, Landry asks Julie if she knows Tyra’s whereabouts. She tells him she heard that Tyra’s aunt was sick — the same lie that Tyra told Landry when she blew him off to go out with Cash.

Tim and Lyla are walking near the football field. A man approaches them with a broad smile and introduces himself as Scotty Sims, a recruiter for San Antonio State. He tells Tim that they are very interested in recruiting him, and invites him to a barbecue the next night. Tim resists and tries to back out by saying that his truck is in for repairs, but an excited Lyla jumps in and offers to drive, which settles the deal.

Coach pulls Julie out of study hall to ask her for a special favor: after the game on Friday night he’s set up a reservation at a hotel for her mom’s birthday with the works — the details of which Julie does not want to hear. He asks Julie if she’ll babysit, and she agrees, although she protests that mom didn’t want to celebrate. Coach says, “That’s her problem,” and sends Julie back into study hall.

The rodeo is in progress and Cash’s turn is up to ride the bucking bronco. When Tyra hears his name called, she hoots and hollers his name. After he’s thrown, Cash waits to hear the score. Finding out that he placed second, he flips out, screaming at Tyra — who’s thinks he did perfectly fine — that second just isn’t good enough. Tyra, looking like she’s been bitten, watches Cash storm off.

Julie is with Matt at his locker. He tells her how much he wishes Coach would stop telling everyone to beat up on him. She responds that her dad is just trying to motivate him. Landry walks up and says that he’s being interviewed on national TV for the pre-game on Friday, as a “scholar athlete.” This clearly stings Matt, who realizes that as quarterback, he would have been interviewed himself. He tells Julie — who can tell his feelings are hurt — that he needs to go to class and heads off.

Lyla is outside Tim’s house honking her horn and shouting his name. She finally walks inside, finding Billy and Tim taking tequila shots. She reminds Tim that they have to go meet the recruiter, and he tells her he’s fine, that he’d only had one beer and a shot (which appears to be a transparent lie) and that he’s just getting his game face on. She gets him out the door and on his way to the barbecue.

Matt is eating fast food on the couch Shelby tells him he should eat at the table. This ticks off Lorraine, who lashes out, telling Shelby she can’t tell Matthew what to do in HER house. Lorraine uses the moment to ask Matt when Shelby is finally leaving. Shelby interjects, saying that she and Matt have been talking about him going to college, with Shelby staying to take care of Lorraine. Lorraine, hysterical, accuses Shelby of being the devil, says she’d rather Matt just got rid of her rather than leave her with Shelby, then walks away.

Lyla is driving Riggins to Scotty Sims’ barbecue, reciting a list of factoids about San Antonio State. Riggins protests, saying that all Scotty Sims is going to want to talk about is football. Then he says these meetings are just a waste of time anyway, all they do is fill you up with empty promises and then nothing happens. Lyla tells Tim to get out of the car. Tim protests, but she kicks him out and drives away, stranding him in the cold.

Tyra and a very drunk Cash are arguing in the hotel room. Tyra says that he’s acting like a baby, that $2,000 is a lot of money. He shouts that it’s not enough, and hints that the guy he was arguing with is going to hurt him — or worse — if he doesn’t get the money he owes. Bitter and drunk, he spits out that this is the real world, not high school, implying that Tyra is hopelessly naive. This makes Tyra so mad that she grabs her coat and leaves, with Cash shouting to her to come back.

Landry, in full football uniform, is being interviewed about his school activities. The reporter is blown away by his 4.6 GPA and tells him that the student-athlete thing is a “great angle.” Landry takes a call from Tyra, who is sitting at a table in the rain outside her motel in Dallas. She lies and tells Landry that everything is fine, that she just wanted to hear a familiar voice. He tells her about the school council member hunting her down, which makes Tyra laugh. The reporter calls him back to finish the interview.

Lyla is putting anti-freeze in her engine outside a convenience store. Tyra’s sister Mindy walks by and, deciding to overlook past hostilities, says hi. Lyla says hi back, and tells Mindy she’s sorry to hear about her breakup with Billy. Mindy says he was an idiot, that he wanted her to stop working at the strip bar when she knows he has no plans for making money himself. Lyla voices her frustration with the other Riggins brother. Suddenly bonded by this mutual source of frustration, Mindy invites Lyla to join her for the afternoon and a pleasantly surprised Lyla agrees.

The Game of the Week has arrived. J.D. McCoy and the Panther offense are stumbling all over themselves, and the game enters the half at 7-3 Arnett-Mead. In the locker room, Coach tells them that the defense can’t carry them and that the offense has to wake up or their season ends tonight. He sends them out cheering. As the rest of the team leaves, he calls Matt Saracen over to talk to him.

Lorraine is in her bedroom watching the game, and Shelby is reading on the couch with the game playing as well. Since Matt isn’t supposed to play, she isn’t really paying attention. The announcer states that Matt is coming in as wide receiver. Lorraine runs out of her room, Shelby jumps off of the couch, and the two of them — suddenly with a common purpose — decide they have to go to the game right away.

With Matt at wide receiver the game is coming back around. They make a big drive down the field. Matt executes a great block that lets Tim Riggins run in for a touchdown, making the game 10-7. On their next drive with little time left, a run by Tim doesn’t quite make the necessary gains, making it fourth down. With a tough call to make, Coach decides to go for it. Matt catches the pass. He just barely makes first down, but it’s enough — he’s won the game! Shelby and Lorraine run onto the field to celebrate with him. Matt is happily amazed to see them together.

In a crowded, smoky bar, Cash is losing money at cards. Frustrated, he tells the players at the table that he’s getting cash and that he’ll be back. Tyra gets up to come with him but Cash pushes her down angrily, telling her he’ll be right back. Looking around the bar filled with solitary, surly drunks giving her sidelong looks, she leaves, shocked that Cash would strand her in such a place alone. But walking out of the bar into the night, it dawns on her that she has nowhere to go.

Scotty Sims approaches Tim and compliments him on the awesome game. Tim apologizes for missing the barbecue the previous night, but Scotty tells him not to worry about it, that the San Antonio coach has told him that getting Tim to play for them is Scotty’s number one priority, and all he wants is to buy Riggins a soda and talk to him so that he doesn’t lose his job. Riggins agrees.

Coach surprises Tami with flowers, chocolate, champagne and a hotel room. Right as they start getting intimate, Tami’s cell phone rings. Worried it’s Julie, she lunges for it. Instead, it’s Tyra, crying and apologizing and begging her to come get her in Dallas. Coach shakes his head: of course this would happen. Tami tells Tyra they’re getting in the car right away and coming to Dallas. As they walk out, she grabs everything — chocolates, flowers, champagne — that she can carry in her arms.

Mindy and Lyla are getting wasted and having a mutual bitch session over the Riggins brothers. The girls get more and more drunk and start dancing their blues away. Billy runs up and starts knocking at the window, shouting to Mindy that he was wrong, that she can keep her job. Lyla tells Billy to go away. But Mindy runs out of the house and into his arms. Lyla, disappointed, watches from the living room.

Tyra is packing and getting ready to go, while Cash screams at her not to leave. She tells him she can’t believe he left her alone at the bar. As she’s leaving, he tries to drag her back. She screams out of the motel door for someone to help her. Right then, Coach and Tami drive into the parking lot. Coach gets out of their car, and gets Cash to back off of Tyra. He tells Cash to calm down, but he keeps lunging and shouting after Tyra. Tami gets her into the car. Coach jumps in and starts to drive off, Cash shouting and hitting the car as they drive away.

Matt’s at home doing homework. His mom comes into the house with a bag of gifts: a stack of books on different colleges and how to apply. Matt is doubtful, asking his mom what they’re going to do about Lorraine. She tells him they’ll figure out something. Then he brings up the money issue. She suggests robbing a bank and having Lorraine guard the door, which gets a laugh out of him. Serious again, she brings up scholarships for military kids and other sources. He agrees to consider it.

Buddy is watching football when a very hung-over Lyla makes it out of her room. Tim knocks. Lyla is less than happy to see him — plus feeling ill doesn’t help — but he has great news: he’s made it into San Antonio State. At first Lyla doesn’t quite believe him, and doesn’t want to give in to his apology too easily, but he wears her down. Laughing as he smells her breath, they start to kiss.

Source: NBC



Mar 13,2009

Aimee Teegarden Vanity Fair Interview

Posted by Kaitlin with No Comments

aimee-2.jpgAimee Teegarden. Courtesy of NBC.

Aimee Teegarden plays Julie Taylor, the coach’s daughter and the quarterback’s girlfriend. Her character is an independent-minded vegetarian who rebels against her parents by getting a job, a car, and a really ugly tattoo. In real life, Teegarden joined the cast in 2006 when she was 16 and had some of her first romantic encounters on set. “As far as kissing and stuff,” she says, “it’s super awkward.” VF Daily sits down with Dillon’s favorite high-school junior.

(By popular demand: next Friday, Tim Riggins, who once shielded Julie from a tornado, returns to VF Daily.)

VF Daily: Unlike some of the other cast members, you’re actually a teenager. What has it been like to grow up with your character?

We’ve gone through a lot of the same things together, like getting your first boyfriend and your first car. I never did the whole teenage-rebellion thing. Then, maybe the second year of the show, I was like, “Oh my God. It really does happen.” You just start saying things and you don’t even know why you’re saying them. It’s crazy. I’ve changed so much in the last three years, anyone can relate to that. The teenage years are ridiculously crucial and hard and, um, awkward.

Some of your best scenes are your heart-to-hearts with your character’s mom. Which was the toughest?

There’s a scene in the second season, the sex talk. [Tami Taylor] is walking such a fine line. She wants to protect me and love me, but at the same time she wants me to grow up and be my own person. And with Julie, I feel like her mom has always been there to talk to her. All of a sudden, there’s this issue that comes up that’s difficult to express.

Of all the F.N.L. scripts you’ve been handed, when did you think, “Yes! This is exactly what I wanted.”

I loved the powder-puff football game. Everybody else plays a sport, so I’d been trying to convince the writers that Julie should play a sport. I tried to convince them to let Julie play lacrosse, but apparently you can’t have a spring sport on Friday Night Lights.

You’re a self-described California surfer girl. What do you think about living in Texas?

I’d never been to Texas before, so I was expecting a bunch of tumbleweeds and cowboys, but Austin is this cool, hippy town. I know this sounds super weird, but there’s, like, amazing sushi. It’s kind of a utopia.

How do you think filming in Austin changed the show?

Shooting in the state where the show is supposed to be brings a realism to it. Plus, we’re filming at real locations, like hospitals, houses, and schools. It comes off really well on the other side of the camera. Also, we’re not exposed to the media. We don’t know anyone else in Texas, so we’re very tight. All the guys and girls on the show are like brothers and sisters.

On your MySpace page, you list Julia Roberts and Sandra Bullock as your heroes. Why do you look up to them?

I think they’re great, amazing actors. But if you take everything else away—just look at them as human beings! You don’t ever see them in tabloids, sleeping around with some guy or doing some coke at a bar or something. They’re actors, they’re not celebrities.

What kind of scripts are you being sent now?

A lot of girl-next-door and a lot of slutty, bitchy, mean girls. It’s both sides of the spectrum.

You seem to be more of a sweetheart.

Most of the time.

VF Daily’s Q&A series features interviews with the top talent from television’s best shows. NBC’s Friday Night Lights is a football drama set in Dillon, a small town in Texas. It airs Friday nights at nine p.m. E.S.T.


Mar 08,2009

Scott Porter Blogs About FNL 3/8/09

Posted by Kaitlin with No Comments

Scottporter_l Well. I’m supposed to be here blogging about Episode 3.8 (what we call it in the biz, 3rd Season, Episode 8, New York, New York) of Friday Night Lights. There’s only one problem. I haven’t actually watched it. I haven’t watched any of my episodes this year. Don’t know if I ever will. I can’t really explain why, it’s just something that I haven’t gotten around to. They are sitting there on my entertainment center, in DVD form. They are also resting on my DVR, ready to be Slingbox’ed to my computer for my viewing enjoyment at any time. They might collect dust for a little while longer. I don’t know when that time will actually come.

I watched Gaius Charles’ exit episodes and was touched beyond belief. The final scene with him flashing that Bazillion gigawatt smile that electrified FNL for three years was just perfect. I wish I could’ve been there, wish Jason would’ve had more interaction with all these other amazing characters on our little show that could, and did. I wish I would’ve had a scene with Jesse Plemons, who basically was my little brother in Austin. I wish I would’ve had more time with Aimee and Connie and Adrianne. It would’ve been a pleasure, but I’ll just sit back and enjoy their work from afar. And applaud them. After those four episodes I stopped watching. Maybe it’s that I just want to remember those five weeks of filming my exit from FNL, as I remember them. Not how they’ve been edited together to fit into 42-minute episodes for commercial enjoyment. That month was slightly surreal. It was wonderfully bittersweet.

So, that’s what I’ll talk about here…the steps that led up to Jason Street leaving Dillon, TX, and how Scott Porter remembers it. I got the call in June that Jason Street would be wrapping up and moving on from FNL, that I was becoming a guest star in Season 3. That his entire exit would be told in four episodes. I was at a comic book convention in Philadelphia (Wizard World) getting ready to go sing karaoke with all my nerdy friends. Jason Katims and Peter Berg called me together on a conference call. Conference call? I knew that wasn’t a good sign. Sure enough they broke the news to me. Thank God for Pete’s straightforward nature, the honesty was refreshing.

It was a punch in the gut, I was upset, angry, but then I reallystarted to think about it. I really feel like we had painted Jason intoa corner by cutting him off from so many of the characters on the showover the first two years. There was no other way out, I guess. Therewas no victory for Jason within the borders of Dillon. Surely wecould’ve kept him coaching, we could’ve had Riggins move in with him tobe his caretaker. We could have done a lot of things differently tokeep Jason in touch with the other characters of the show, but whatwould that have bought him? A victory of living in little Dillon, TX?After we saw his heart? After we saw him struggling to become a man infront of us? After we realized that Street was destined for somethingmore than just sitting, wasting his days away in a town that was toosmall for him? Those things would’ve been nice for Jason’s longevity onthe show, but they would not have seemed right to me. He needed to getout. He needed to show the world that he was capable of greatness,injury or not. Greatness was not to be found in Dillon.

Thetough part of getting Jason out of Dillon was the motivation. It camein the form of Erin and Noah. Jason’s miracle child, his baby boy. Theproblem being, no one knew who Erin was. No one really cared, and wehad a huge hurdle of trying to get them to care enough to buy intoJason chasing her. This would’ve all been a lot easier had we not hadthe writers’ strike in Season 2. Over the final seven episodes thatwere planned for Season 2, you were going to see this kind of KnockedUp relationship form between Jason and Erin. It would have reallycemented them as a couple. As two scared kids who connect on a deeperlevel than they ever imagined. I promise you all that if we had thoseseven episodes back, you would be in love with Jason and Erin.

Wenever got those seven episodes back, though. What we did get was a13-episode order for Season 3. With as large a cast as we have, coupledwith our characters growing up by the minute, tripled with need tobreath new life and new cast members into the show, four episodes waswhat we had to get all of that across to you. We had to have astoryline that picked Jason up, confronted him with larger than lifechallenges, allowed him to conquer, and somehow get out of Dillon to goon to a bright future. I think we did a hell of a job.

Tamara(Erin) was beautifully honest in the Jason/Erin scenes. She walked intoa situation where she was playing a bolt out of the blue. Not only didshe have the challenge of playing a scared, tired, nervous, youngmother, she had to play it on a beloved show against one of its mostembattled characters. She played it with a grace and an honesty that Iloved. Our scenes felt raw. I was not going to let her or Noah gowithout a fight. Surprisingly enough, an actress who you had seen twicebefore, was responsible for a lot of my drive through that last month.Thank you, Tamara.

K-O (Kevin Rankin, Herc), Derek (BillyRiggins), Kitsch (Riggs), and myself called our storyline a circus ofidiots. It really was like the four Stooges (Shemp included) reuniting.I laughed until I cried every day that I worked with them. Our scenes,while ludicrous at times, seemed pitch perfect. Flipping the Garrityhouse with these boys kept me sane over my last month. You want to talkabout improv, or getting of the page, we abandoned the script daily andfound pure gold in a lot of what we did together. The whole Billy beingshort joke? Came about organically. It started to recur and it was evenfunnier to us behind the scenes than it was on camera. That’s just thetip of the iceberg.

This show gives us a freedom that isunrivaled. And trusts us to hold ourselves accountable. It’s what makesit so special. There was a take of a scene that you’ll never see, thatI’d like to share with you. It’s the lullaby scene with Street and theboys in the Garrity house. The three of them (Herc, Riggs, Billy) arequietly working behind Street as he sings a lullaby to his baby overthe phone. Derek (Billy) decided that he was gonna start making cracksabout it behind my back, instead of just going along with the “quietrecognition” that was in the script. Street has tennis balls in hiswheelchair bag, he uses them to try and improve his dexterity andstrength in his hands. As I finish singing, I hear Billy drop somesmart-ass line about me and my kid. Without thinking, I grab one of theballs out of my bag and bean him in the neck with it. Perfect shot, hadto sting a little. Herc and Riggs start cracking up and Billy gets sodamn pissed that he turns cherry red and storms out. That is being in ascene. That is Friday Night Lights.

My closing scene with Minka,where Jason asks her advice one last time, was really tough. Minka andI shared so many scenes over my time on the show, we really grew uptogether as people and as actors. We wanted to underplay it. To let theaudience feel the weight. I haven’t seen it, but I really felt like wenailed it. No words could really express the friendship of these two, Ihope we didn’t get in the way of it.

My last scene with Brad.Buddy Garrity. Gawd was that fun. Giving it to him the way he gives itto everyone else on the show. It was really a respect thing for Jason.He and Buddy had been at each other’s throats a couple of times, butJason never really came out on top. This time he had to show Buddy thathe was a man, and that he could be trusted, and I think he did.

Thereis a scene that got cut out of the last episode with Coach Taylor andJason Street that I was really proud of. After I got the news that Iwas leaving, I called Jason Katims up and told him I wanted a scenewhere Jason would go pick up his box of tapes and trophies from CoachTaylor’s office. He didn’t remember what I was talking about. What box?I reminded him that in Season 2, after I came back from Mexico, Jasongave Coach Taylor a box. He quit the team for a second time and saidthat he couldn’t look at that stuff anymore. In typical Kyle Chandlerfashion, Coach looked at me with those eyes that say a million thingsat once, waited, then quietly said, “I’ll hold on to these until you’reready to come pick them up.” It wasn’t in the script, but it made somuch sense. So, I told Jason I wanted to go pick up the box. He lovedthe idea, wrote a scene, and we shot it the next day. A simple scene.Coach Taylor was more a father to Jason than his own dad, this wasJason thanking him, Jason really becoming a man, and coach being proudof him. I heard from Jason Katims that it didn’t make the network cut.I hope it makes the DVD. It would be a shame for that to lay on theediting room floor.

My last scene with Kevin Rankin was sosmall, but meaningful. You got to see Herc really support Street. Kevinplayed it with such meaning, so much heart. It was the unexpectedreaction from Herc that made it work. If I told you Jason Street wasgoing to say, “I’m going to New York to be a sports agent,” what wouldyou expect Herc’s return line to be? “You’re an idiot…” or somethingequally as smart-assed, right? Well. That’s not how it was written andnot how it was played. He said, “Go for it…” a simple line ofsupport. Kevin is amazing, possibly my best friend from a show thatblessed me with lifelong friendships from just about everyone I workedwith, and he is possibly the most incredible and generous actor I know.I’m gonna miss our wheelchair fights, homey! Oh, and just so you allknow, NO, he is not really wheelchair bound, he’s just that good.

Andthat leads me into my last bit. Jason and Riggins take New York. Wewent with a skeleton crew. Jeffrey Reiner was in charge. No one getsthis show more than he does. He is fearless, he was handpicked byPeter, and he’s just as crazy. Just as brilliant. Kitsch and I didn’treally speak a lot about how much this meant. About how much pressurewe were under. We had two days to shoot pretty much the entirety of mylast episode. Two days to end Jason Street’s run on the show. Much likeme and Minka, I believe that Taylor and I have really grown together onthis show. We let it all hang out in those last two days. We challengedeach other. We spitballed and just threw the most random lines at eachother to see if we could make the other guy drop the ball. We laughed,we tackled it all with reckless abandon up until the last scene. Weweren’t careless though. We know Jason and Riggs, 6 and Timmy. We knowthem inside and out and no one can tell us any different. They live asfriends as few get to on this world, with an understanding of eachother and a willingness to forgive the shortcomings that they bothpossess. We just existed in a pocket where things felt right.

Kitschis gonna be a star, and it was my pleasure to spend my last two dayswith him. Those two days were insane. We didn’t have permits to shootmost of the places where we did in NYC. Reiner said he wanted a sceneon a subway car. So we went for it. It wasn’t in the script. It washighly illegal, but we just went down to the E line and got on, camerasand all. Would you believe that when we decided to get off, there was aHUGE winding ramp with a “Wheelchair Accessible” sign on it? That’sjust how things happen on this show. That ramp made it into theepisode. We didn’t scout that location. We weren’t even allowed to bethere, but somehow it found us. That’s what it was like to shoot thisshow. All the time.

The scene in Times Square took place on aSaturday Night. Saturday Night, Times Square, 3 Cameras, 2 Actors, 1Wheelchair. I looked at Taylor and we just started laughing. How in thehell are we gonna do this? I don’t know how it turned out, but let meexplain how it felt while we did it. We had a wall of background actorstrying to keep everyone else out. Four behind me, three on either sideof Kitsch and me. Our crew is the greatest crew in the world. Our PAs,ADs, everyone was all trying to protect the cameras. There wereconstant flashes as tourists and onlookers tried to take pictures. Itwas incredible. Throughout all of that we had to get a walk and talk,or Roll and Talk, between Jason and Riggs. It was one of the greatestmoments of my short on-screen career. The energy was amazing. That’sguerrilla filmmaking I guess. Glad to have experienced it.

Myfinal scene was two takes and done. Jeffrey told me he would only usethe first. All I really remember about it was Taylor and me actuallycrying before takes, we would look at each other with tears and juststart laughing at how ridiculous we must’ve looked. I am a man. I don’tcry at the drop of a hat, but the emotion was too much. The end of ajourney. Growing up with this crew and these actors. My first timereally being able to create a character, and now watching him go on tolive his imaginary life. It was just too much. To calm myself down, Iasked our 1st AD to let me look at football scores on his iPhone, triedto focus on my fantasy football team. It didn’t work.

TexasForever could have been a cheesy catchphrase on any other show. Not onFriday Night Lights though. Those two words carried more meaning than Icould’ve ever imagined from the Pilot on. Every time we said it on theshow, it was said from a place deep within the heart. They are wordsthat carry with them, friendship and hope for a future that seemedbeyond the grasp of these kids. We said these two words sparingly.Using them only when true friendship was so apparent that there wasnothing else to say. Thank you so much for watching the show over thesepast years. Thank you for allowing these characters to live. Thank youto everyone involved with the show. Cast, Crew, Producers, Writers,Directors. I’ve said it before and I’ll say it again. We caughtlightning in a bottle here. We are a special show because of our trust,respect for each other, and dedication to making this show unique andreal. I love you all, and I hope this show continues for years andyears. Texas Forever.

SOURCE: EW.com



Mar 06,2009

Vanity Fair Interview with Taylor Kitsch

Posted by Kaitlin with No Comments

timriggins.jpgNo, it’s not Tom Brady with long hair. It’s F.N.L. star Taylor Kitsch. Photograph by Mark Abrahams/Management Artists Syndication.

Taylor Kitsch plays Tim Riggins, the Dillon Panthers’ fullback who has dirty hair, abundant charm, and bad intentions. In the past three seasons of Friday Night Lights, Riggins has seduced the town sweetheart, dallied with a single mom, and encountered innumerous “rally girls.” He’s the archetype rascal, and Kitsch plays him to perfection. Tonight, Riggins strolls dangerously close to the V.F. office in the episode “New York, New York.” Today, Kitsch tells VF Daily he’s more than just “that guy on the show that’s always shirtless.”

VF Daily: Were you a Riggins in high school?

Taylor Kitsch: No. Fuck no! I wish! I live vicariously through him. I think a lot of people live vicariously through Riggs.

Doesn’t everyone?

[Laughter] Exactly! You know? He’s a lot of fun to play. I just feel so comfortable with him. I trained in improv and I love to throw curveballs at the other actors. It really makes it. A lot of times I’ll throw just absurd stuff at Kyle Chandler [Coach Taylor] and, also, Derek Phillips, who plays my brother. He’ll ask me something simple, and I’ll come back with something ridiculous, just to see what he can do. There’s no rehearsals, right? So that’s why I can getcha. You just have no fucking idea what I’m going to say.

You ad lib a lot. What’s your favorite thing that you’ve gotten onto the show?

“No regrets.” Every time I say that, it’s not written.

Really? That’s a catchphrase. It’s up there with “Texas forever.”

Yep. That’s me. Also, I started saying everyone’s number as their name in the very first season. Like, “Two Zero,” “Six,” “Seven.”

Has there ever been something you’ve resisted doing on the show?

Yeah. They want me shirtless a lot of the time and I battle tooth and nail against that. When it’s called for, it’s O.K. But I don’t need to be driving shirtless. Are we doing a fucking calendar shoot, or are we actually doing Tim Riggins driving? I believe I’m 100 percent right in this regard: less is more. I don’t want to be known as that cat, you know? Just that guy on the show that’s always shirtless.

And there was that point in the season when you took off your pants by the refrigerator.

I loved that. That wasn’t written. I started the scene outside the door. As Riggins, I said to myself “Why the fuck am I in these clothes?” before I opened the door. So, when I opened the fridge, in my head, I was like, “Get these clothes off.”

What was it like filming the “New York, New York” episode?

Favorite one! I had so much fun doing that. When you go to the same sets and you’re shooting in the same places, it’s kind of monotonous at times. Shooting in New York, there’s so much energy, especially playing a Texas kid who’s never really left Dillon. The stakes were high, with it being Street’s last episode. You just wanted to make it good.

How many takes did you do of the final scene with Street?

Because it was so emotional, we shot a lot of my stuff first. They cut it quite well, but it was to the point where Riggs was actually fucking weeping.

It feels really honest.

The cameras keep you honest. The cameras are so tight. You can’t get through a scene with that kind of emotion without buying into it 100 percent. They will catch you.

Aside from F.N.L., you have a new project: Wolverine. It’s your first major film role. How did it go?

I knew it was the gig, a once-in-a-lifetime kind of gig to get. I had an amazing time and I learned so many things from Hugh Jackman. We have really good chemistry. Hopefully, you’ll see that. I was telling Hugh the other day: if I could have the same career path he’s had with Wolverine, of playing this guy over the span of 10 years, that would be just a dream. I would murder to play Gambit again.

VF Daily’s Q&A series features interviews with the top talent from television’s best shows. NBC’s Friday Night Lights is a football drama set in a small town in Texas. It airs Friday nights at nine p.m. E.S.T. Check in with VF.com every Friday for F.N.L. interviews.


Mar 02,2009

Jesse Plemons Blogs About FNL 3/2/09

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Jesseplemons_lMuch like my friend Connie Britton, I have very little experience with this whole blogging thing. So, after staring blankly at my computer screen for a half hour or so trying to figure out how to sum up Friday Night Lights into one perfect piece of blog art, I decided to re-watch the episode and see what happens. I immediately got sucked into the episode and forgot all about the blogging that was supposed to be happening. It’s amazing the things that you catch the second or third time you watch an episode. One of the things I love about our show is that it is full of so many moments and nuances, which really make the show what it is. Anyway, my eyes are clear, my heart is full, and now I’m finally ready! Here are some of my favorite moments (and just random thoughts) from the episode.

This week picks things up with the wonderful Garrity family at the Dillon Airport (a.k.a. Austin-Bergstrom International Airport). It’s a family reunion for Buddy, his kids are back from living “with their mom…in Northern California…with some vegetarian…raising figs!” In the entire three seasons I have known Brad Leland I have yet to call him by his real name. He is, and always will be Buddy G. to me. I think that says something about how good an actor is when it’s even hard for his cast to separate his character from real life. Also the Taylors take a trip over to the McCoy estate for dinner. I loved the random miniature poodle with blue and gold bows that Mrs. McCoy is holding when she opens the door. Hilarious! Such a perfect detail that I missed the first time I watched. The scene at the dinner table between Coach and Joe was a great setup for their scene outside the locker room at halftime. This is just the beginning of the drama between these two. Just you wait.

We don’t really see much of my friend Matthew Saracen in this episode. The last time I checked he was still crying about how he lost his job to Joe Doyle. I tried to tell the guy he needed an angle, but he just didn’t want to listen. I mean, have I ever steered him wrong? Well, maybe that one time with the Members Only jacket. But that’s it.

I love the scene at Jamarcus’ house where the Coach and Tami go overto try and convince his parents that football isn’t all bad. Coach andTami compliment each other so well. Coach opening the door for Tamiafter she just bailed him out was a nice touch. Okay, I’m just gonnasay it. Kyle Chandler and Connie Britton are the best actors on TV.Period. And that’s about all I have to say about that.

And finally on to Landry…. Such a typical tragic love story. Guymeets girl. Guy falls for girl. Guy accidentally kills other guy inself-defense of girl. Guy and girl fall in love. Girl dumps guy forcowboy. Guy falls for another girl. Girl turns out to be a lesbian. Iknow, we’ve all been there. But seriously, I love the scene with Tamiand Landry after he has just received the news from the next girl ofhis dreams. Leave it up to Tami to save the day again. The scene withTyra (the wonderful Annie Palicki) was an interesting one. There is somuch history between these two and it was the first time they hadtalked since the big blowup. I think he really had no real game planfor what he was going to say once he got there. I also gotta give ashout out to Stephanie Hunt (Devin) and Caleb (Jimmy) ofCrucifictorious. These guys were awesome! Both were local hires fromTexas and actual musicians as well.

Somehow Street and the three stooges have actually managed tosuccessfully flip a house without any major disasters, and now decidethat they want to try and sell it themselves as well. This storylinehas been a lot of fun to watch, and it’s so great to have Scott Porterand Kevin Rankin back. They add such an interesting dynamic to theshow, which will be greatly missed.

The open house scene was absolutely hilarious. From Billy’s “Youcan fit two in that bathtub, with room for a third” to the wheelchairfight, I was cracking up the whole time. You just can’t help but wantall of these guys to win. My favorite scene with them was their sceneat the end of the episode where Jason is showing his “Tim Riggins goesto college” highlight reel. Even though the scene starts out prettylight, with some dumb discussion about how hot the wings are, theyalways seem to find a way to sneak in a FNL moment when you leastexpect it. You know what I’m talking about, when Explosions in the Skystarts playing softly and you know things are about to get serious. Igotta give it to you Derek Phillips (Billy Riggins). When he says,”Watching Tim win state was probably the happiest day of his life, andI’m just really proud of him.” Coming from Billy Riggins, that reallymeans a lot. Not gonna lie. I choked up a bit.

The episode ends with Jason looking up at the Dillon sky. He asks Lyla if she thinks he could make it somewhere else and she just says,”You’re leaving.” It’s amazing how far all of these characters havecome since the beginning. With everything they’ve been through, andeverything they’ve overcome. I can’t wait to see what happens next!Thanks for listening, and a big thank you to all of our incredible fans for watching.

SOURCE: EW.com



Mar 01,2009

Zach Gilford on Chelsea Lately March 09

Posted by Kaitlin with No Comments

Check out Zach Gilford on Chelsea Lately discussing Friday Night Lights and his film career. Best line: “Hey Landry…have you seen Chelsea Lately?”

Here’s the link:

http://www.youtube.com/watch?v=A2TVPtOYlZI